Oklahoma City is going to be the city of museums for me. They have several really interesting museums and the plan is to check them out. I am a little bummed though because one of the museums I want to see is only open Friday and Saturday and I will be gone by then. That museum is the Pigeon Museum. A whole museum devoted to pigeons, I can only imagine.
First venue is the Oklahoma City Bombing National Memorial. I sort of had to force myself to go to this one – it is hard for a sensitive soul such as myself to go to places like this. There is a museum attached to the Memorial but I chose not to go through that one and instead opted for just walking the grounds. I was already choked up before I even got to the site so I knew it would not be pretty to be walking around sniffling. I thought the Memorial itself was very moving. It was very simple – a very shallow reflecting pool with gate structures on each end of the pool, one has the time 9:01 on it and the other has 9:03 on it. From the NPS website:
The 9:01 gate is a symbolic
reference to the last minute of innocence for our nation in regards
to domestic terrorism. The 9:03 gate is a symbolic reference to the
first moment of recovery, the moment when grieving, and healing,
began. The time of 9:02 a.m. stretches between the two, presenting a
tragically long minute in which citizens were killed, survived and
changed forever.
There are chairs
arranged on the side of the reflecting pool, one for each victim,
small ones for the children that were killed.
The chairs are arranged in nine
rows, which represent the nine floors of the Alfred P. Murrah Federal
Building.Each chair, representing an individual's life, is placed on
the row (or the floor) they would have worked on or were visiting at
the time of the bombing. Within the row, chairs are grouped by agency
and then in alphabetical order progressing from east to west.
The five chairs located on the
western side of the field are positioned in a column. These chairs
represent the five people who did not die within the federal
building.
The chairs are also arranged to
abstractly reflect the outline of the blast cavity of the Murrah
Building, with the densest concentration of chairs reflecting the
severest damage to the building.
Very somber place
except for the middle school field trip participants who, with the
exuberance of youth lent an air of renewal.
Onward to the
Museum of Osteology – or the Bone Museum. The founder, when he was
a small boy, found a coyote skull and this started his fascination
with bones and skeletons. He started a business called Skulls
Unlimited where he would take bones, clean them and sell them. As
his business grew, so did his collection. Zoos started giving him
carcasses, he would clean them and then put the skeletons back
together and pretty soon he had a great collection and decided to
start a museum. This was fascinating – he had a giraffe (same
number of neck bones as humans), elephant, whales, rhinos, lots of
monkeys and apes, humans, birds, reptiles – just about every type of
animal was represented. There were also several videos around that
would tell about his bone cleaning business. This videos were actual
television shows such as Ripley's Believe It Or Not and The World's
Dirtiest Jobs. The whole process can take many months depending on
the size of the animal.
First you strip
any remaining flesh off of the bones and then you let it dry for a
few days. Then you take the bone and put it in his cadaver beetle
farm. He has millions of beetles – these guys will strip any
remaining soft material off of bones within 48 hours. The bones then
get dumped into a vat of hydrogen peroxide which bleaches the bones
white. After that comes the laborious job of putting the bones all
together in it's proper skeletal form.
I thought this
museum would be a little quirky, but it was fascinating looking at
the skeletons and thinking about form and function. It was also
interesting noticing the similarities in skeletons between all the
different species.
A Chihuahua and a Great Dane |
Snakes and Dragons |
Giraffes, Elephants, Rhinos and Whales - Oh My |
Next up is the
Museum of Women Pilots. This museum is dedicated to women fliers and
all the trials and tribulations they had to go through to get into
the air. Everything from what does the well-dressed woman wear in the
cockpit to all the sabotage they had to put in from men who felt
threatened. Women started flying in the early 1900's. They had a
fairly large Amelia Earhart exhibit, since she is probably one of the
most famous women aviators in the world. I must admit, though, my
favorite of all was a woman named Ruth Elder. In 1929, there was a
long distance plane race for women that went from Santa Monica to
Cleveland. It lasted nine days and was unofficially called the
Powder Puff Derby. On day three, Ruth's map flew out of the cockpit,
she got lost and landed in a bull pasture and got directions. On Day
six, her map again flew out of the cockpit and she had to stop in a
cow pasture and ask directions (these bovines must give good
directions). On the last day, she again got lost and while she did
finish the race eventually, she was quite late. Later, Ruth Elder
went on to become a movie star.
They had a flight
simulator that you could play in. Here is a picture of how I did.
Actually, I got
sort of bored and decided I would end this simulation in a blaze of
glory.
On to the Museum
of Art in downtown OKC. The main reason I was going was because they
had a Chihuly exhibit. There was some amazing pieces of glass work
that I really enjoyed looking at.
Finally, it was
time for the Banjo Museum. This was a quiet little museum although
once you got inside, two whole floors of banjos. In talking to the
admissions person, he said that many of today's current banjo players
had been through here – Steve Martin, Dom Flemons, Alison Brown and
spent hours. This museum was really well done – starting with
early banjo playing in the early 1800s up through the jazz age when
everybody played the banjo through the bluegrass era to current day
when banjos have started to become popular again in contemporary
music. There was only one other person going through the museum with
me and he was a collector of Bacon/Day banjos. I hung out with him
and it was quite an education as he explained tiny little details
that I never would have noticed on my own. Who knew there was such a
banjo counterculture. Some of these banjos were works of art.
Giant banjo - taller than me |
Pretty Fancy Banjos |
Wall to Wall Banjos |
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